Unlike typical dynamics processors that have a fixed compression ratio across all frequencies, the CA-2A T-Type Leveling Amplifier’s gain reduction varies at different frequencies. This simple yet clever design offers flat frequency response and transparent sound with automatic attack and release times that are completely program dependent.
#Rcomp vs cla 2a software#
Every detail of the original hardware has been carefully consideredĪnd incorporated into this stunning software model.īecause it’s essentially a tube amp with some photo-resistors there is no electronic circuitry involved in the compression process. Turning the R37 screw controls how much compression is applied to high-frequencyĬontent, such as vocal sibilance. We even went so far as to model the user-adjustable “R37” screw on the original unit. The tubes slightly change the shape of the signal, adding even and odd harmonics based on the frequency of the incoming program material. The four tubes in the original hardware unit were also carefully modeled Together, determine the the attack and release time - all based on incoming program material. The T4 circuit is made up of an electroluminescent panel partnered with and an optical photocell that, The characteristic sound of the original hardware unit is a result of both its tube design and the famous T4 circuitry –Īnd the CA-2A T-Type Leveling Amplifier meticulously models both. So many classic recordings, at a fraction of the cost and with modern convenience. Get the kind of smooth, warm sound heard on It features native 圆4 operation, zero latency performance, and 64-bit double precision audio fidelity. With only a few simple controls, it’s easy to use and provides instant Previously only available to big studios that could afford these all tube units, the CA-2A T-Type LevelingĪmplifier lets you wield this legendary sonic weapon in your own studio, on your own tracks. Including guitars, bass, pads, and especially vocals.
#Rcomp vs cla 2a professional#
Since the 1960s, professional engineers have relied on the unique characteristics of this electro-optical tube-based compressor to work its magic on all kinds of sources, Windows: ProChannel, VST2.4, VST3, AAX and ProChannel Module / OS X: VST3, AAX, AU.Use side-chain compression for ducking, pumping, and more.Dual photocell reset modes (Classic & Fast Reset).Fully modeled "R37" HF Pre-emphasis control.Up to 40dB of smooth, transparent gain reduction.Zero latency for real-time tracking and mixing.
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